I've just sent out my e-card to (hopefully) all of my friends, family, clients and collaborators etc.
En-masse e-mail delivery paranoia demands that I state here that if you haven't received the card, feel you should have or would like to receive it next year... please do that which is necessary to alert me, fix your filters and/or notify your e-mail provider that I'm not spam!
It's a truly awful pun, but that is, in-keeping with festive or seasonal jokes found in crackers...
The initial idea was just a horrible cardigan made into a card, like so many 'Christmas jumpers' of my youth - after sketching a perplexed and generic 'every-man' holding up said offending garment, it occurred that the real joke was in the misunderstanding. Why it became Peter Parker and MJ is anybody's guess, but my guess would fall firmly in the camp of "because I like drawing girls".
The usual 'stages' stuff follows:
digital roughs
sketch-up lounge guide
final digital "pencils"
inks
All the very best of the season to you all, have a good one!
It's unfinished, it's probably not very funny, but there's no way I'll get something finished up in time... so here's a sketch of what I would have done for Blue Whale over on A Little Bit Bunny.
I'll say it again, Google Sketchup is a an incredible resource... for this piece, I wanted to do one of the classic size comparisons... so I popped along to the sketch-up warehouse and hey presto, some kind soul has already done 90% of the hard work... so thank you Chris for your routemaster bus model, very helpful.
Amongst other bits and pieces and preparation for this weekend's Kapow, I've been doing a commission for John Burdis, I'd done something for The Cellar of Dredd before, a quick single illustration of Hondo-Cit's Inspector Inaba. I'd done that under my own steam following the fab time I had at the Hi-Ex Comicon, but this time, John had something in mind.
The following is all about the "process" for those of you who like to see the work in progress stuff.
I did an initial sketch based upon John's original brief:
"Dredd stood in the middle of a street with dead superheroes strewn all around him and Joe saying something along the lines of "Costumed vigilantes, leave the real crime fighting to me!" The characters who would be dead would include Superman (head missing definitely), Batman, Wonderwoman, Captain America and all those other US bods."
One thought kept floating around my brain, a pile of dead super-heroes and something in Brian Bolland's classic cover to Prog 2000 kept nagging at me as well.
John liked the inital sketch but had a couple of requests for additions if I could manage them:
First up was a simple addition to the roster of the dispatched: "Green Arrow's arm with a broken bow"
Next was just a weapons' upgrade to the "Colt Widowmaker " instead of the Anti-Hero gun I'd been musing over as the reason why Dredd was now able to dispatch these super-heroes.
Finally, a nice way to really make the commission a personal one: " a large pristine BURDIS BLOCK and a couple of derelict smaller blocks with the names MARVEL and DC".
In Dredd's world, towering apartment Blocks are often named after famous people, sometimes for satirical reasons, sometimes equally as a tribute to that person. I felt that DC and MARVEL blocks could nicely be rolled into the one (albeit well beaten-up) DEE CEE MARVILLE block.
I wanted the blocks to say something about John and the two comic companies respectively... aside from the beaten-up aspect of DEE CEE MARVILLE, I wanted the block to hint at those companies' stock-in-trade - Super-heroes!
John's online forum name is COMMANDO FORCES, for reason's which are obvious to anyone who knows him. Hopefully my intentions for his 'block' shouldn't need much more explaining. For the DEE CEE MARVILLE block, I wanted it to look as much a possible like a cape flowing over the shoulders of a hero, almost immediately that dictated a very Art Deco style, evocative of old movie theatres.
By this point I've switched into Google Sketch-up to muck about with the architecture, mainly because if we decide to change the POV, I haven't got to reconstruct the difficult curvature on that art Deco styled block... but it wasn't there that my main problem would be!
I had inadvertently created, by virtue of the military style helmet, a very phallic looking building... "could you put some sort of roof sports complex/airport style thing somewhere around/on that part?". Thankfully we caught it and had a chance to make a suitable alteration.
The only other thing John wanted was "More gore on those bodies." I guess the super-hero fan in me was just subconsciously trying to limit the damage to all those "good guys", but, you've got to give the client what they want!
I'd been concerned over Dredd's footing and so I added in Reed Richards, utlising his 'rubbery' consistency to nicely fill in the space between Superman and WonderWoman.
After showing the last version to John, I couldn't help but think we'd lost the 'Military' in the styling of 'Burdis Block' in favour of Miners or worse still, Doozers!
The easiest way to show him some alternatives was a little fly-around movie taken out of Sketch-up. I can't advocate strongly enough the time saving aspects of this program for me, where previously (hours of projecting the perspective correctly) would have ended up making me want to stab myself in the head.
Throughout the process, there had been dissatisfaction on both our parts over the wording of Dredd's proclamation, neither of ours had been punchy enough. John had started a forum topic to ask for help and there had been some great and some very witty suggestions, but it wasn't until my good pal and Fractal Friction co-contributer Chris Askham suggested a short and sweet "When are you CREEPS gonna learn?", that either John or myself found a 'fit' for the illustration.
We we're all happy until John posted my initial sketch in the same forum topic...
PJ Holden (who has always been insightful and helpful to me from my very earliest foray into the comics business) suggested the even shorter and IMO 'sweeter' "WHO'S NEXT?". Sorry Chris, but you know when something's right.
With the final version okayed by John, I turned the 'pencils' into a 'blueline' ready to print out. Using another tip I'd picked up from PJ, I left the 'speech' to print out in Black for crispness in the final artwork.
I inked the dead super-heroes first because I knew there would be a lot of work in that part, in fact it took most of a morning to do, but after getting Dredd inked in, it was all fairly plain sailing and came together quite quickly!
I sent a scan of the final thing to John yesterday and I'm pleased to say he's very happy with it and looking forward to seeing it in the flesh at Kapow!
I guess that's it really, other than to ask: "WHO'S NEXT?"
A new post from me over on A Little Bit Bunny. Unfortunately, it's not as finished as I would like, but I've received some feedback I was waiting for on another project and suddenly, play-time is over again!
Here's a quick sketch-up model I made for the main design element... and yes, that's Judge Dredd's Lawmaster in there... not that you see much of it in the final piece!
I may have gone a little bit overboard with this whole SketchUp preparation... hopefully it should make the resultant strip look a whole lot cooler though!
This is a (admittedly not very good) fly-through of the main locations within the mopad I'll be needing in the strip.
I've also made a lawgiver, based on the one I did in my most recent Dredd sketch, which my good pal Matt Soffe did a bang-up colouring job on here by the way.
I think, this lawgiver, with the lawmaster and the bonkers sized scene of Mega-City 1 from last week, rounds out the collection of reference models for Judge Dredd's world that I should need on this strip...
To go along with the Lawmaster I made a while ago in Google Sketch-Up, I've built a section of Mega-City One. I've invested some time making vehicles and zooms and bits and pieces to help me frame my panels for a Judge Dredd strip by Lee Robson that I've blogged a little about before.
Click image for a huge, zoom-able version
This is still a work in progress and I'll probably use different views than the one shown here, but that's the beauty of a simple 3D package, I make this once, then I can move things around for the best framing of each panel without having to reconstruct, redraw and redo all those little details again and again. Admittedly, I will to some extent, because I will only be using the exported images as under-lays for each of the panels.
I've known about Google sketchup for a while and I've done nothing about learning how to use it, despite having heard pretty good things... that changed last week when I saw an amazing job that Richard Smith did using it to model a spaceship called the Terrapin (see Richard's website for more of his illustration work). The Terrapin is for a strip he is working on for a forthcoming issue of FutureQuake and looks awesome and I was inspired to learn more!
After asking Richard whether he thought it was worth learning how to use Sketchup, (a resounding yes), I decided I would spend a bit of time trying to get to grips with it. There are some limitations but I managed to build Judge Dredd's Lawmaster (his bike) and I'm not unhappy with the results... I will build a few other things and hopefully it will help greatly with that Dredd strip I'm doing for Zarjaz with Lee Robson.
I have to say, I'm thoroughly impressed with sketchup and for a FREE and EASY 3D package I can see no downside, especially when you can export animations that you can use to show others around the models you have built. So, can I recommend it? On Monday I had no idea how to create things in 3D that I could then use to plan scenes and things... and now I have a new and powerful tool in my skill set! So, I can strongly recommend it, well worth the time spent I think!
