Happy Birthday Sidrah

Here's a commission I recently completed. The brief was simple, a 21st Birthday; Sidrah (the birthday girl) hugging Sulley.


Interestingly (or not) in my old life as a toy designer, I drew Sulley from Monsters Inc. a hell of a lot - I even sculpted him to be made into a pen. So I was very familiar with the character already.

Here's my sculpt, for that pen. This is one of a small number of casts that I still own out of numerous characters I sculpted during my 12 odd years.

Again, interestingly, or not, as the case may be, sculpting the character to look right with all that fur and so that it would come out of an injection mold tool was, in places, a bit tricky...

Here's the pen, as was available with Smarties as I recall.

As was often the case, the sculpting I had done, for some reason got over worked in the production piece, leaving the finished article looking less like the character than the sculpt that I had struggled to get approved by Disney/Pixar's licensing department.

Looking back at this, I'm surprised by how naff it really is. That was the nature of the beast though, cheap give-aways, by their very definition are a bit naff.

Let's not delve too deeply into my murky past as a toy designer now though. Let us instead focus on, as has becoming increasingly the case with my posts, the process stuff (for this commission).

The sketch work, which I will admit got jiggered about with in photoshop once I scanned it. In fact I totally reworked the likeness. Also adding a sketch-up model of a suitable door that I bunged together very quickly... I still like the flexibility that a sketch-up model gives, should I need to reposition the camera for a different view, I don't have to work out the perspective again... some might think it overkill or even cheating, but, I'll never have to draw a door again and worry that the perspective is wrong.

As an aside, I find that when I do build the environment (such as it is in this case) I'm far more confident when it comes time to putting the characters 'in situ' because I can move things around. If it doesn't look right, I can just move the camera angle or pan or whatever in sketch-up and export the image again.

On this commission, the trickiest part was Sidrah's likeness. So I wanted to ink it first to check that everyone was happy. I wouldn't usually do it in this way, but inking the tough bit first meant that I wasn't risking so much if I got it wrong... I was fairly confident that the Sulley would look good because I've drawn him so much before. All the same, I'm pretty pleased with my inking on this piece as it happens...

...and here are the final inks as they looked when scanned and then with all the blue-line removed ready for colouring. Sometimes I think that the blue pencils add a bit of depth to the inks and when I take that away the inks just look too clean to me until I get some colour and texture worked into the image.

Overall, I think it's a pretty successful piece. Having spent time on modelling the door, ultimately I was unsure how I felt about it - compositionally I thought it complicated things, but I liked the implied narrative... I ended up with a number of alternate versions, my favourite (in the end, despite the sketch-up time) was without the door. The green door was Sidrah's preferred option though and was the one I printed and sent out with the inks and sketch work.








All that remains is to say happy birthday to Sidrah for today and thank her big sister Sadiah for a fun commission.

Surrender Dorothy!

Now in Technicolor!

I'm just about done on the Wizard of Oz, Judge Dredd and Johnny Alpha cross-over commission.


There's still a decision to be made over the final dialogue though...

The Brothers Grimm

I was contacted recently by Ryan Ballard, who is putting together a whole book of sketches based on the fantastic Garth Ennis and Steve Dillon series Preacher as a present for his Dad. How cool is that?
You can see all the contributions he's got so far at The Preacher Project.

He asked me for a Jody and TC - two of the worst brothers I think that have ever been cooked up.



I went for their flashback versions - as that's where we see what a pair of evil b*stards they really are... if you've read the story, you'll know what TC is up to here.

I showed the initial pencils to Ryan and he asked if I could revise the sketch more inline with the scene where Jesse's Dad get's shot. <<<-- highlight for spoiler. This moved from the implied humour of my initial concept, and would play up the emotional resonance - Ryan also asked if I could add in a young, upset but determined Jesse... TC's dialogue just didn't fit anymore.



I was chuffed to be invited to join the gang, and I was pretty pleased with the result too!

Pepping It Up

Final art then for the much pimped Tyranny Rex commission:


Sometimes I go to silly lengths for effect. Rob asked for an in joke - the script for Phase V of Zenith... Grant Morrison wrote four books of Zenith, so-called phases, but I doubt there will ever be a fifth. You can only just see it in the final piece, and it took about half an hour of fiddling to get it right - D'Oh! I'm not even going to mention how long it took to find reference for the Our Price bag.


Finally on this, for the process completists amongst you - here are the final inks too.


I'm available for commissions like this and the Dredd piece I did earlier in the year. please feel free to contact me via the e-mail address in the sidebar for a quote.

Mint Sauce

Well on course for the final piece now.


If you missed the previous posts, you can see the progress up to this point here, here and here!

Posing Tyranny

Work in progress again, back on the Tyranny Rex commission. Rob wanted me to vary a few things from the interim layout but I wasn't quite happy with Tyranny anyway, so I tried a couple of extra poses out...


I got a bit carried away and then couldn't decide which one worked best... if in doubt, let the client decide!


Rob chose 'E'... and suggested I wrap her tail around a dancer's pole! Things are coming together nicely now, and I'll post up the rough pencils here in the next couple of days.

Lapping it up

After the rough sketches and some discussion, Rob decided that he'd like to include Zenith in the commission piece too.

I suggested that Tyranny could be a dancer at a club called Peppermint Dino... the joke is kind of obvious, but I thought it was funny enough to run with.


I've done a few options for Tyranny's final pose and there are a few other bits to address in the final pencils. Rob seems happy, so far and the final piece should work out quite well!

That's about it for now, I'm off to Bristol Comic Expo on Saturday - bit of a flying visit really, if you see me - stop me and say Hi!

Who's Next?

Amongst other bits and pieces and preparation for this weekend's Kapow, I've been doing a commission for John Burdis, I'd done something for The Cellar of Dredd before, a quick single illustration of Hondo-Cit's Inspector Inaba. I'd done that under my own steam following the fab time I had at the Hi-Ex Comicon, but this time, John had something in mind.


The following is all about the "process" for those of you who like to see the work in progress stuff.

I did an initial sketch based upon John's original brief:

"Dredd stood in the middle of a street with dead superheroes strewn all around him and Joe saying something along the lines of "Costumed vigilantes, leave the real crime fighting to me!"
The characters who would be dead would include Superman (head missing definitely), Batman, Wonderwoman, Captain America and all those other US bods."

One thought kept floating around my brain, a pile of dead super-heroes and something in Brian Bolland's classic cover to Prog 2000 kept nagging at me as well.

John liked the inital sketch but had a couple of requests for additions if I could manage them:

First up was a simple addition to the roster of the dispatched: "Green Arrow's arm with a broken bow"

Next was just a weapons' upgrade to the "Colt Widowmaker " instead of the Anti-Hero gun I'd been musing over as the reason why Dredd was now able to dispatch these super-heroes.

Finally, a nice way to really make the commission a personal one: " a large pristine BURDIS BLOCK and a couple of derelict smaller blocks with the names MARVEL and DC".

In Dredd's world, towering apartment Blocks are often named after famous people, sometimes for satirical reasons, sometimes equally as a tribute to that person. I felt that DC and MARVEL blocks could nicely be rolled into the one (albeit well beaten-up) DEE CEE MARVILLE block.

I wanted the blocks to say something about John and the two comic companies respectively... aside from the beaten-up aspect of DEE CEE MARVILLE, I wanted the block to hint at those companies' stock-in-trade - Super-heroes!

John's online forum name is COMMANDO FORCES, for reason's which are obvious to anyone who knows him. Hopefully my intentions for his 'block' shouldn't need much more explaining. For the DEE CEE MARVILLE block, I wanted it to look as much a possible like a cape flowing over the shoulders of a hero, almost immediately that dictated a very Art Deco style, evocative of old movie theatres.

By this point I've switched into Google Sketch-up to muck about with the architecture, mainly because if we decide to change the POV, I haven't got to reconstruct the difficult curvature on that art Deco styled block... but it wasn't there that my main problem would be!

I had inadvertently created, by virtue of the military style helmet, a very phallic looking building... "could you put some sort of roof sports complex/airport style thing somewhere around/on that part?". Thankfully we caught it and had a chance to make a suitable alteration.

The only other thing John wanted was "More gore on those bodies." I guess the super-hero fan in me was just subconsciously trying to limit the damage to all those "good guys", but, you've got to give the client what they want!

I'd been concerned over Dredd's footing and so I added in Reed Richards, utlising his 'rubbery' consistency to nicely fill in the space between Superman and WonderWoman.

After showing the last version to John, I couldn't help but think we'd lost the 'Military' in the styling of 'Burdis Block' in favour of Miners or worse still, Doozers!


The easiest way to show him some alternatives was a little fly-around movie taken out of Sketch-up. I can't advocate strongly enough the time saving aspects of this program for me, where previously (hours of projecting the perspective correctly) would have ended up making me want to stab myself in the head.

Throughout the process, there had been dissatisfaction on both our parts over the wording of Dredd's proclamation, neither of ours had been punchy enough. John had started a forum topic to ask for help and there had been some great and some very witty suggestions, but it wasn't until my good pal and Fractal Friction co-contributer Chris Askham suggested a short and sweet "When are you CREEPS gonna learn?", that either John or myself found a 'fit' for the illustration.

We we're all happy until John posted my initial sketch in the same forum topic...

PJ Holden (who has always been insightful and helpful to me from my very earliest foray into the comics business) suggested the even shorter and IMO 'sweeter' "WHO'S NEXT?". Sorry Chris, but you know when something's right.




With the final version okayed by John, I turned the 'pencils' into a 'blueline' ready to print out. Using another tip I'd picked up from PJ, I left the 'speech' to print out in Black for crispness in the final artwork.




I inked the dead super-heroes first because I knew there would be a lot of work in that part, in fact it took most of a morning to do, but after getting Dredd inked in, it was all fairly plain sailing and came together quite quickly!

I sent a scan of the final thing to John yesterday and I'm pleased to say he's very happy with it and looking forward to seeing it in the flesh at Kapow!

I guess that's it really, other than to ask: "WHO'S NEXT?"

Karloff for Zuul

I've just done an Artswap with a good pal and long time supporter of mine Graeme Neil Reid. A while ago, Graeme was doing a series of Ghostbuster illustrations and I asked if he was doing a Sigourney Weaver as Zuul, could I have the original in return for an illustration by me...


I'm chuffed to say he was up for it and chose a very broad topic of "Characters from Hammer and Universal Horror movies"... I have to confess to a soft spot for Frankenstein's monster (one of the first things I ever shared on this blog was a "Frankie"). So it was long over due to do another... this time I tried to capture Boris Karloff in his career defining role as the monster...


I hope Graeme likes the illustration when he finally receives it (weather permitting), and I look forward to the Gatekeeper arriving in due course!

Thanks Graeme!

Modesty Blaise Sketch

I've had a quick attempt at Peter O'Donnell and Jim Holdaway's Modesty Blaise.


It's the result of a suggestion made by James Corcoran, who when we were doing the Art Swap included a little bonus sketch for each of us... I only found this fab little depiction of Dirty Frank by chance when I was clearing up, and I'm so glad I did.


Dirty Frank is one of my favourite characters from 2000ad's Low Life, a story about undercover Judges, written by Rob Williams.

An Emperor for The Emperor

So here's a little sketch I did a while ago for the enigmatically named Emperor, a long time supporter and collaborator of mine.


Simply put, it was as part of the Art Swap that my cohorts on Fractal Friction and I were doing, I've just been notified that it's arrived at it's destination (and thanked) - so I can now share it with the world, well, those of you who visit here anyway!

Here's a quick reminder that I'll currently do an A4 sketch of this kind for £15 inc. P&P.

PSi Judge Cassandra Anderson

Here's an inked illustration of Judge Anderson I've just done as an inking test trying out some paper with a rougher surface.
It's all about getting those dry brush effects without the expense of losing higher level detail...


Well, I'm pretty happy with it, could see it working as a cover for the Megazine in fact, I'd be glad to hear what you think of it too...
Although I've offered out my services to do commissions before... I really haven't tried to sell anything that I've done off my own back. So as an experiment, I'll be more than happy to sell this to the first person who offers me £50 for it. It's A3, inked straight over the pencils (which is unusual for me as I normally scan and print out my pencils so I have a back-up) so this is a true original never to be available again type item. Oh, and that price will include recorded delivery!