This is an inked version of something I sketched at CamCon, and it fits with today's experiences.
'Technology' really is enough to to make me go all "Hulk Smash!" when things stop working.
This is an inked version of something I sketched at CamCon, and it fits with today's experiences.
'Technology' really is enough to to make me go all "Hulk Smash!" when things stop working.
This colour version, has a revised arm, the problem was spotted by the eagle editorial eyes of Bolt-01.
I fixed it in photoshop, after I'd had one of those disasterous "flatten and save" incidents in (bloody) photoshop - so it's a little more detectable than it would normally be.
Really, adobe, how difficult would it have been to save the sanity of millions of application users and build in a simple back-up... anyone who mentions dropbox, timemachines or any other second party fail-safe back-ups will be ignored - I FECKIN' KNOW, it's my own stupid fault!
See, it's there in the inks, Dredd has a disturbing case of "the long arm of the law"!
but weirdly, it's not so noticeable in the roughs, well, to my eyes at least.
Inks are for sale, and they come with a nice A3 print of the (revised) colour version all for the bargain price of £95 inc. P&P (to any UK address).
It's definitely a bit weird seeing myself like this, and I now recall my mind going blank under fire, but it was very nice to be asked things about what I do all the same.
There is a quick pan across some art I have no other record of for the eagle eyed!
Thanks to Nick Starwind and his cameraman and again, all the organisers and those that attended CamCon... I'm hoping there is another one next year!
Thanks go to Ziggy Newman and Ian Rudd who were organising the event. If there is another one next year, I would definitely be interested in attending.
I owe a massive thanks to Leigh Gallagher for letting me sit near him, for not minding the car-boot sale of books I also had stashed away for sale and also for feeding me chewits!
It was good to see the always cheerful and chatty Terry and Liz Martin who were sat behind us, giving Murky depths and Dead Girls the hard sell!
Opposite our Table were the lovely Luba and Hong who were selling beautiful Kimonos at what I thought were incredibly low prices.
It was great to catch up with Sean Phillips and Emma Vieceli. I also bumped into El Chivo who showed me the gob-smacking amount of worked he'd got through for Davey Candlish's Jikan Chronicles.
Finally thanks to all those who stopped, chatted or bought graphic novels or sketches from me!
I did have a number of sketches I did speculatively, and here are two examples of the sorts of things I was drawing. The Batman above is looking for a home and I'd happily part with him for £7.50 inc. P&P (UK).
Hulk here already has a new home to go to, and I also have another Iron-Man to do too!
First person to drop by and say "DOGTAROO!" to me will earn themselves this picture of the current Doctor Who for free.
Admittedly, it's not the best portrait of him, and the anatomy is a little off in the arms, but it was one of those 15 minute sketch things with limited reference, so I'm not too unhappy with it.
I'll be sharing a table with the lovely Leigh Gallagher... and these here pictures are a taster for the kind of things I'll be drawing...
... I see that these here Avengers types are quite popular at the moment, and that movie is playing just across the way from the Junction at the local Cineworld Cinema. You call it shameless shirt-tail riding, I call it entrepreneurial...
...not in the same league as Tony Stark I grant you, but nevertheless I'll be drawing for me supper and hoping to take a few commissions too.



Here's my sculpt, for that pen. This is one of a small number of casts that I still own out of numerous characters I sculpted during my 12 odd years.
Here's the pen, as was available with Smarties as I recall.
The sketch work, which I will admit got jiggered about with in photoshop once I scanned it. In fact I totally reworked the likeness. Also adding a sketch-up model of a suitable door that I bunged together very quickly... I still like the flexibility that a sketch-up model gives, should I need to reposition the camera for a different view, I don't have to work out the perspective again... some might think it overkill or even cheating, but, I'll never have to draw a door again and worry that the perspective is wrong.
As an aside, I find that when I do build the environment (such as it is in this case) I'm far more confident when it comes time to putting the characters 'in situ' because I can move things around. If it doesn't look right, I can just move the camera angle or pan or whatever in sketch-up and export the image again.
On this commission, the trickiest part was Sidrah's likeness. So I wanted to ink it first to check that everyone was happy. I wouldn't usually do it in this way, but inking the tough bit first meant that I wasn't risking so much if I got it wrong... I was fairly confident that the Sulley would look good because I've drawn him so much before. All the same, I'm pretty pleased with my inking on this piece as it happens...
...and here are the final inks as they looked when scanned and then with all the blue-line removed ready for colouring. Sometimes I think that the blue pencils add a bit of depth to the inks and when I take that away the inks just look too clean to me until I get some colour and texture worked into the image.









